AGJ Original Maki-e Fountain pen #62 "Peacock" Sailor 21K nib Sparkling Togidashi Taka Maki-e Kyoto Japan Wa

This AGJ original Maki-e Fountain pen is made by famous Edo Maki-e Artisan "Kotobuki".
This design is an AGJ's original. You can not find anywhere else.
Edo Maki-e is the best known Maki-e technique in Japan.
This is original Maki-e fountain pen based on Sailor fountain pen.




Ke-Uchi:
Lines or stipplings are painted by Urushi on Hira Maki-e and Gold. Silver or Hirame powder is scattered on them. Ke-Uchi is raised by sticky urushi.


Abalone shell, Mexican shell
Nashiji gold powder


Abalone shell, Mexican shell





Artist name: Kotobuki

Hira Maki-e
1. Urushi lacquer
2. Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
3. Coated by Uwazuri and Black urushi
4. Polish by polishing and grindstone powders

Togidashi Maki-e (Mainly used for finishing evenly the background)
1. Urushi lacquer
2. Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
3. Coated thickly by Nashiji and Black urushi
4. Burnished the urushi lacquer by charcoal
5. Polish by polishing and grindstone powders

• When coarse gold/silver/Hirame/Seikin powders are sprinkled, put a luster by burnished.
• After togidashi maki-e, Togidashi Hira maki-e is decorated Hira maki-e on togidashi maki-e.
• After togidashi maki-e, Togidashi Taka maki-e is decorated Taka maki-e on togidashi maki-e.
• Burnishing is needed when coarse powders are sprinkled.

Taka Maki-e
1. The design is created using urushi lacquer
2. Sprinkle charcoal/Silver powders to raise the layer
3. Dry
4. Spread urushi twice to make the layer thicker
5. Sprinkle gold/silver/Hirame/Seikin powders
6. Coat by Urushi
7. Burnish
8. Polish

• Charcoal powder: Show a soft feeling
• Silver powder: Feel solid

Tsukegaki Maki-e
1. Spread Urushi lacquer thickly
2. Sprinkle gold powder
3. Gold powders sink due to thick urushi
4. Do Togidashi
5. Gold powders shine
6. Polish